ILLIT is officially setting out on their first solo tour two years after their debut!
On January 22, BELIFT LAB announced that ILLIT will hold their first tour titled “PRESS START♥︎.” Through this tour, the group will meet their fandom GLLIT across seven cities in Asia, starting this spring.
The tour title “PRESS START♥︎” symbolizes the beginning of ILLIT’s journey as artists performing on a global stage. According to BELIFT LAB, the heart symbol represents a heartbeat and the first signal of a system’s activation.
2026 ILLIT Tour ‘PRESS START♥︎’ Schedule
The tour will officially begin in Seoul, where ILLIT will hold their first solo concerts under the title “ILLIT LIVE ‘PRESS START♥︎’ in SEOUL. These Seoul shows will give fans their first chance to see ILLIT’s full concert setlist and stage production.
- Seoul, March 14 & 15 – Ticketlink Live Arena
- Aichi, June 13 & 14 – Aichi Prefectural Art Theater
- Osaka, June 20 & 21 – Orix Theater
- Fukuoka, June 29 & 30 – Fukuoka Sunpalace
- Hyogo, July 18 & 19 – Glion Arena Kobe
- Tokyo, July 23, 25 & 26 – Toyota Arena
- Hong Kong, August 22 – Asia-World Expo, Hall 101
ILLIT Tour Tickets
Tickets for the Seoul concerts will be available in several tiers, with M&G seats priced at KRW 253,000 (~$172), Sound Check seats at KRW 220,000 (~$150), and General seats at KRW 165,000 (~$112). Additional details regarding ticket reservations and sale dates will be announced separately. Fans are encouraged to follow official BELIFT LAB and Ticketlink channels for the latest updates and information.
The world tour announcement comes as ILLIT continues to enjoy the popularity of their debut single “Not Cute Anymore,” released on November 24, 2025.
The title track charted on Spotify’s “Weekly Top Songs” Global chart for seven consecutive weeks, and also made Billboard’s Bubbling under HOT 100.
ILLIT is a five-member girl group under BELIFT LAB, a joint venture between HYBE and CJ ENM. Since debut, the group has been known for their unique concept centered on the idea of “fairies of the hyperpop generation.”